News and Comment|
This superb new edition of the the 1965 classic, with 14 extra tracks and a thick booklet by Reg Hall is a 'must have' purchase for any traditional music lover. Check out our rave (almost) review in these pages and then order your copy in the usual way - full details on our Records page. Our price is only £11.00 - inc. p&p.
We are particularly pleased to see that their first release, SFO 001, is the fabulous 'Rice Girls' record Donne della pianura del Po - a CD any lover of harmony singing really needs to own. I have some available, so just pop a fiver into an envelope together with your postal address, and post it to me at the usual address - I'll do the rest.
An illustrated talk by Reg Hall, Paul Marsh and Steve Roud to begin at 7.30pm.
Refreshments and CDs will be available for purchase
Contact: Malcolm Taylor, Librarian, EFDSS, Tel 020 7485 2206 x18, Fax 020 7284 0523, email firstname.lastname@example.org
Alan O'Leary and Jim Carroll & Pat Mackenzie have just sent in tributes, which I have combined into this Obituary:
Tommy was born in 1929, in Shyan, ('home of the fairies') near Kilmihil in West Clare. His aunt played fiddle, his mother concertina, and sets were danced in their house. He took interest in the music at the age of 9 after hearing flute player Miko Dick Murphy with the Wrenboys on St Stephen's day. He learned fiddle from Malachy Marrinan, picked up tunes from local blacksmith and concertina player Solas Lillis, and by the age of fourteen he was visiting Elizabeth Crotty's in Kilrush. He played at farmhouse dances, 'wrens' and exile wakes, where rhythm and swing were critical to the sets danced. He learned much of his music from his neighbour Mick 'Stack' Ryan who taught Tommy to play the concertina. Michael Downes, Junior Crehan and Bobby Casey were some of the musicians he played with in Clare. Staying in Dublin once weekly introduced him to John Kelly, through whom he was directed to the legendary piper and maker, Leo Rowsome, to purchase his first set of uilleann pipes and received his first lessons in 1950.
In 1952, Tommy and his wife, the dancer Kathleen Connaughton, emigrated to London where he worked as a carpenter. He soon joined the great musical melting pot which was London at that time, playing with musicians from every corner of Ireland. To mention but a few; pipers Seamus Ennis, Willie Clancy and Michael Falsy, fluteplayers, Roger Sherlock and Paddy Taylor, accordionists, Raymond Roland and John Bowe, and fiddlers Martin Byrnes, and Bobby Casey, with whom Tommy built up a great friendship - during the 60s and 70s they were inseparable.
Tommy joined NPU (Na Piobairi Uilleann) in 1968, co-founded the London Pipers Club in 1980 (still thriving), played on CCE's (Comhaltas) first American tour in 1972 with Paddy Glackin, Seamus Connolly and Joe Burke. He also loved playing in folk clubs and he was much loved on the British folk club scene where he played many times with his family or with Bobby Casey, charming audiences with his gentle humour and understated presentation.
Tommy remained in London for nearly 40 years and greatly enriched the lives of the Irish community during that time, not only with his music, but his gentle personality and humanity. During that time Tommy and his wife Kathleen from (of Glenamaddy, Co Galway), passed on their musical talents to their entire family; their three daughters, Jacqueline, (concertina), Bernadette, (fiddle/piano), Marion, (whistle/uilleann pipes) - all of whom married musicians and have moved back to Ireland to live. Tommy jnr (fiddle) has become the owner of a very successful music bar in Boston.
Tommy and Kathleen moved back to join their daughters in 1991, settling in the West Clare town of Miltown Malbay, birthplace of the great piper, Willie Clancy. Tommy taught concertina at the annual Willie Clancy Summer School and regularly performed with the family at the concerts held there. One year Tommy played in three specialised music recitals at the school, playing Uilleann pipes, concertina and tin whistle. I [Alan] was fortunate to be at the last piping recital Tommy gave in Miltown - it will stay in the memory for a long time.
Tommy McCarthy's music has embraced diverse challenges, such as playing in the film score for Young Guns, with Jacqueline in Three Wishes for Jamie, with all of the children with The Chieftains. His music took him to many parts of the world, touring with CCE, the Ballet Rambert and the National Theatre. He regularly visited the USA, and also performed in Brittany, Italy, Switzerland, Bulgaria and Australia. Tommy himself made a solo album, Sporting Nell, in 1997.
They say a man is measured by what he leaves behind him - in Tommy's case we are all better for his having been here. The memories of his lovely music and character, and the knowledge that all of those great gifts have been passed on in abundance to his wonderful family. We are much blessed, and have much to be thankful for, through having known a person like Tommy McCarthy.
Since it has been decided that the Topic/CIC release of this MT production will not now take place until November - and since we have had it ready for five months and have widely advertised its availability in September - it has been agreed that we should begin to sell it as advertised. Accordingly, it is now available from the MT address and full details appear on the Records page.
The price is £16 (the same as Topic's), but ours includes UK p&p. I urge you to fill in our Order Form and drop me a cheque right away!
4 - 6.30 in the Menzies Room
Enquiries: email@example.com Tel: 020 7862 8825
Music, song and dance are part of the success story of contemporary Ireland. From concert hall to session pub, from street busker to record studio, the many forms of Irish entertainment mirror the changing character of Ireland, and its growth as a modern nation. What the music and the songs are about - and the part they play in Irish life - is what this course is about.
No qualifications or previous knowledge are required, and all are welcome.
Announcement and call for papers
This year our one-day conference will be hosted by the International Music section of the British Library National Sound Archive. It will be held in the Conference Centre on the main British Library site on Euston Road from 10.00 to 16.45.
Theme: The annual BFE conference at Sheffield this year focused our minds on what, how, why and where we do fieldwork, ethnography and representation. This one-day event narrows the scope to consider the place of recordings in particular - the primary artefacts ethnomusicologists collect during fieldwork - and of archives - the "ethnomusicological museum". Papers will consider issues such as: appropriate equipment and media for making recordings, legal and ethical considerations, reasons for archiving, reasons for not archiving, the limitations of archives, the importance of documentation, methods of and reasons for dissemination (CDs, CD-ROMs, radio, the Internet), technological and commercial impacts, the use of existing recordings as source material in ethnomusicological study - the archive as the field.
Six to eight papers will be accepted. Duration of each paper: 20 minutes maximum, allowing 10 minutes for questions. In addition, we are inviting suggestions for shorter presentations (up to 10 minutes) on any issue relating to archiving. This might be an opportunity to ask questions, make suggestions, and raise complaints about the role of archives in ethnomusicology generally.
Abstracts of no more than 300 words, should be sent to: Dr Janet Topp Fargion, International Music Collection, British Library National Sound Archive, 96 Euston Road, London NW1 2DB; tel: 020 7412 7427, fax: 020 7412 7441, e-mail: firstname.lastname@example.org. Text sent electronically as part of an e-mail message would be appreciated. Alternatively send as hard copy and disk. Deadline for submission of abstracts: 16th October 2000.
Conference fee: £15 (£10 for students and unwaged). Non-members will be enrolled as members of the BFE at the appropriate rate. Tea and coffee will be provided. There will be a 60 minute lunch break with the possibility of eating at nearby restaurants or at the British Library restaurant or canteen.
The British Forum for Ethnomusicology is the UK National Committee of the International Council for Traditional Music.
Registration: The number of places is restricted to 50. Please register early through Dr Janet Topp Fargion at the address above, giving your:
If you don't have access to the internet, or if you want to save what can be a long down load time the it is now available on CD - contact Bob Blair at email@example.com The latest version on CD covers both PC and Macintosh operating systems.
If you would like a copy on CD then send £3.50 to: Bob Blair, 8 Melford Ave, Giffnock, Glasgow. G46 6NA.
The CD is freeware and is copy-encouraged. The charge for the CD is to cover duplicating and postage costs. Any surplus that accrues will be remitted to the Digital Tradition to help with its costs.
Although never a central figure in the proceedings at Inishowen, she was always ebulliently there in the background, and added greatly to the warmth of the proceedings by sheer dint of personality. There are many like me, who will always feel grateful for the wonderful hospitality which the McBrides showed to visitors, and many who feel that Inishowen will never be the same without her.
The guests who will be appearing at this event will include:
While music, as such, is only center-stage in a minority of them (John Cowley is on Monday 16th October, 4:00-6:30), I'm sure many readers would find a great deal else to interest them.
This Events Bulletin is available from:
The Institute of Commonwealth Studies, University of London, 28 Russell Square, London WC1B 5DS.
Tel: +44 (0)20 7862 8844. E-mail: firstname.lastname@example.org Web: www.sas.ac.uk/commonwealthstudies/
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